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81. | | Title: Ethnocriticism: ethnography, history, literature Author: Krupat, Arnold Published: University of California Press, 1992 Subjects: Literature | Anthropology | American Literature | Literary Theory and Criticism | Native American StudiesPublisher's Description: Ethnocriticism moves cultural critique to the boundaries that exist between cultures. The boundary traversed in Krupat's dexterous new book is the contested line between native and mainstream American literatures and cultures.For over a century the discourses of ethnography, history, and literature have sought to represent the Indian in America. Krupat considers all these discourses and the ways in which Indians have attempted to "write back," producing an oppositional - or at least a parallel - discourse. [brief]Similar Items | 82. | | Title: Fathering the nation: American genealogies of slavery and freedom Author: Castronovo, Russ 1965- Published: University of California Press, 1996 Subjects: Literature | American Literature | Literary Theory and Criticism | American Studies | Postcolonial StudiesPublisher's Description: Russ Castronovo underscores the inherent contradictions between America's founding principles of freedom and the reality of slavery in a book that probes mid-nineteenth-century representations of the founding fathers. He finds that rather than being coherent and consensual, narratives of nationhood are inconsistent, ambivalent, and ironic. He examines competing expressions of national memory in a wide range of mid-nineteenth-century artifacts: slave autobiography, classic American fiction, monumental architecture, myths of the Revolution, proslavery writing, and landscape painting.Castronovo theorizes a new American cultural studies which takes into consideration what Toni Morrison calls the "Africanist presence" that permeates American literature. He presents a genealogy that recovers those members of the national family whose status challenges the body politic and its history. The forgotten orphans in Melville's Moby-Dick and Israel Potter , the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave narratives all provide dissenting voices that provoke insurrectionary plots and counter-memories. Viewed here as a miscegenation of stories, the narrative of "America" resists being told of an intelligible story of uncontested descent. National identity rests not on rituals of consensus but on repressed legacies of parricide and rebellion. [brief]Similar Items | 83. | | Title: The master and Minerva: disputing women in French medieval culture Author: Solterer, Helen Published: University of California Press, 1995 Subjects: Literature | European Literature | Literary Theory and Criticism | Medieval Studies | Women's Studies | French StudiesPublisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation. [brief]Similar Items | 84. | | Title: The Renaissance Bible: scholarship, sacrifice, and subjectivity Author: Shuger, Debora K 1953- Published: University of California Press, 1994 Subjects: Literature | Religion | Literary Theory and Criticism | Renaissance History | Christianity | Renaissance LiteraturePublisher's Description: This is the first book on the Renaissance Bible by an Anglo-American scholar in nearly fifty years. Not confined to a history of exegesis, it is instead a study of Renaissance culture - a culture whose central text was the Bible. Shuger explores, among other topics, the links between late medieval Christology and early modern subjectivity; religious eroticism and the origins of the sexualized body; the transformation of humanist philology into comparative religion; and the representation of daughter-sacrifice and female erotic desire. [brief]Similar Items | 85. | | Title: Toward a new poetics: contemporary writing in France: interviews, with an introduction and translated texts Author: Gavronsky, Serge Published: University of California Press, 1994 Subjects: Literature | Poetry | European Literature | Literary Theory and Criticism | Writing | French StudiesPublisher's Description: A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments.As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing ( écriture ) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text.These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself. [brief]Similar Items | 86. | | Title: The lure of the modern: writing modernism in semicolonial China, 1917-1937Author: Shi, Shumei 1961- Published: University of California Press, 2001 Subjects: Literature | China | Asian Literature | Asian History | Cultural Anthropology | Postcolonial Studies | Japan | Comparative Literature | Literary Theory and CriticismPublisher's Description: Shu-mei Shih's study is the first book in English to offer a comprehensive account of Chinese literary modernism from Republican China. In The Lure of the Modern, Shih argues for the contextualization of Chinese modernism in the semicolonial cultural and political formation of the time. Engaging critically with theories of modernism, postcoloniality, and global and local cultural studies, Shih analyzes pivotal issues - such as psychoanalysis, decadence, Orientalism, Occidentalism, semicolonial subjectivity, cosmopolitanism, and urbanism - that were mediated by Japanese as well as Western modernisms. [brief]Similar Items | 87. | | Title: MeXicana encounters: the making of social identities on the borderlandsAuthor: Fregoso, Rosa Linda Published: University of California Press, 2003 Subjects: Sociology | Chicano Studies | California and the West | Film | Women's Studies | Literary Theory and Criticism | Latin American Studies | American StudiesPublisher's Description: meXicana Encounters charts the dynamic and contradictory representation of Mexicanas and Chicanas in culture. Rosa Linda Fregoso's deft analysis of the cultural practices and symbolic forms that shape social identities takes her across a wide and varied terrain. Among the subjects she considers are the recent murders and disappearances of women in Ciudad Juárez; transborder feminist texts that deal with private, domestic forms of violence; how films like John Sayles's Lone Star re-center white masculinity; and the significance of la familia to the identity of Chicanas/os and how it can subordinate gender and sexuality to masculinity and heterosexual roles. Fregoso's self-reflexive approach to cultural politics embraces the movement for social justice and offers new insights into the ways that racial and gender differences are inscribed in cultural practices. [brief]Similar Items | 88. | | Title: The tragedy of Mariam, the fair queen of JewryAuthor: Cary, Elizabeth, Lady 1585 or 6-1639 Published: University of California Press, 1994 Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism | Women's Studies | Autobiographies and BiographiesPublisher's Description: The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century. [brief]Similar Items | 89. | | | 90. | | Title: "Peaks of Yemen I summon": poetry as cultural practice in a North Yemeni tribeAuthor: Caton, Steven Charles 1950- Published: University of California Press, 1990 Subjects: Anthropology | Cultural Anthropology | Middle Eastern Studies | Literary Theory and Criticism | Medieval Studies | Folklore and Mythology | Language and LinguisticsPublisher's Description: In this first full-scale ethnographic study of Yemeni tribal poetry, Steven Caton reveals an astonishingly rich folkloric system where poetry is both a creation of art and a political and social act. Almost always spoken or chanted, Yemeni tribal poetry is cast in an idiom considered colloquial and "ungrammatical," yet admired for its wit and spontaneity. In Yemeni society, the poet has power over people. By eloquence the poet can stir or, if his poetic talents are truly outstanding, motivate an audience to do his bidding. Yemeni tribesmen think, in fact, that poetry's transformative effect is too essential not to use for pressing public issues.Drawing on his three years of field research in North Yemen, Caton illustrates the significance of poetry in Yemeni society by analyzing three verse genres and their use in weddings, war mediations, and political discourse on the state. Moreover, Caton provides the first anthropology of poetics. Challenging Western cultural assumptions that political poetry can rarely rise above doggerel, Caton develops a model of poetry as cultural practice. To compose a poem is to construct oneself as a peacemaker, as a warrior, as a Muslim. Thus the poet engages in constitutive social practice.Because of its highly interdisciplinary approach, this book will interest a wide range of readers including anthropologists, linguists, folklorists, literary critics, and scholars of Middle Eastern society, language, and culture. [brief]Similar Items | 91. | | Title: Keeping slug woman alive: a holistic approach to American Indian textsAuthor: Sarris, Greg Published: University of California Press, 1993 Subjects: Native American Studies | Anthropology | Native American Ethnicity | Cultural Anthropology | Literature | Literary Theory and Criticism | American Literature | American StudiesPublisher's Description: This remarkable collection of eight essays offers a rare perspective on the issue of cross-cultural communication. Greg Sarris is concerned with American Indian texts, both oral and written, as well as with other American Indian cultural phenomena such as basketry and religion. His essays cover a range of topics that include orality, art, literary criticism, and pedagogy, and demonstrate that people can see more than just "what things seem to be." Throughout, he asks: How can we read across cultures so as to encourage communication rather than to close it down?Sarris maintains that cultural practices can be understood only in their living, changing contexts. Central to his approach is an understanding of storytelling, a practice that embodies all the indeterminateness, structural looseness, multivalence, and richness of culture itself. He describes encounters between his Indian aunts and Euro-American students and the challenge of reading in a reservation classroom; he brings the reports of earlier ethnographers out of museums into the light of contemporary literary and anthropological theory.Sarris's perspective is exceptional: son of a Coast Miwok/Pomo father and a Jewish mother, he was raised by Mabel McKay - a renowned Cache Creek Pomo basketweaver and medicine woman - and by others, Indian and non-Indian, in Santa Rosa, California. Educated at Stanford, he is now a university professor and recently became Chairman of the Federated Coast Miwok tribe. His own story is woven into these essays and provides valuable insights for anyone interested in cross-cultural communication, including educators, theorists of language and culture, and general readers. [brief]Similar Items | 92. | | Title: Female subjects in black and white: race, psychoanalysis, feminismAuthor: Abel, Elizabeth Published: University of California Press, 1997 Subjects: Literature | African American Studies | Gender Studies | Literary Theory and Criticism | American Literature | GayLesbian and Bisexual StudiesPublisher's Description: This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities - as well as the transformative possibilities - between white feminist and African American cultural formations.Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism. [brief]Similar Items | 93. | | Title: Flesh wounds: the culture of cosmetic surgeryAuthor: Blum, Virginia L 1956- Published: University of California Press, 2003 Subjects: American Studies | Gender Studies | Film | Psychology | Literary Theory and Criticism | Sociology | Anthropology | Television and Radio | Women's StudiesPublisher's Description: When did cosmetic surgery become a common practice, the stuff of everyday conversation? In a work that combines a provocative ethnography of plastic surgery and a penetrating analysis of beauty and feminism, Virginia L. Blum searches out the social conditions and imperatives that have made ours a culture of cosmetic surgery. From diverse viewpoints, ranging from cosmetic surgery patient to feminist cultural critic, she looks into the realities and fantasies that have made physical malleability an essential part of our modern-day identity. For a cultural practice to develop such a tenacious grip, Blum argues, it must be fed from multiple directions: some pragmatic, including the profit motive of surgeons and the increasing need to appear young on the job; some philosophical, such as the notion that a new body is something you can buy or that appearance changes your life. Flesh Wounds is an inquiry into the ideas and practices that have forged such a culture. Tying the boom in cosmetic surgery to a culture-wide trend toward celebrity, Blum explores our growing compulsion to emulate what remain for most of us two-dimensional icons. Moving between personal experiences and observations, interviews with patients and surgeons, and readings of literature and cultural moments, her book reveals the ways in which the practice of cosmetic surgery captures the condition of identity in contemporary culture. [brief]Similar Items | 94. | | Title: Traditional oral epic: the Odyssey, Beowulf, and the Serbo-Croatian return song Author: Foley, John Miles Published: University of California Press, 1991 Subjects: Literature | Literary Theory and Criticism | European Literature | Folklore and Mythology | Religion | Language and Linguistics | Classics | Medieval StudiesPublisher's Description: John Miles Foley offers an innovative and straightforward approach to the structural analysis of oral and oral-derived traditional texts. Professor Foley argues that to give the vast and complex body of oral "literature" its due, we must first come to terms with the endemic heterogeneity of traditional oral epics, with their individual histories, genres, and documents, as well as both the synchronic and diachronic aspects of their poetics.Until now, the emphasis in studies of oral traditional works has been placed on addressing the correspondences among traditions - shared structures of "formula," "theme," and "story-pattern." Traditional Oral Epic explores the incongruencies among traditions and focuses on the qualities specific to certain oral and oral-derived works. It is certain to inspire further research in this field. [brief]Similar Items | 95. | | Title: Nerves and narratives: a cultural history of hysteria in nineteenth-century British prose Author: Logan, Peter Melville 1951- Published: University of California Press, 1997 Subjects: Literature | History | History and Philosophy of Science | Literary Theory and Criticism | Victorian History | English Literature | Women's StudiesPublisher's Description: The British middle class of the early nineteenth century was defined by its nervous complaints - hysteria, hypochondria, vapours, melancholia, and other maladies. Peter Melville Logan explores the link between medical theories of nervous physiology and narrative issues central to the literary writing of the period. He examines the assumption, implicit in medical thinking at the time, that the nervous body - unlike its non-nervous counterpart - has a narrative inscribed on its nerve fibers. It becomes "the body with a story to tell."Logan takes up several literary works whose nervous narrators connect their present disorder with an unnatural, unhealthy social order. Concentrating on novels by Godwin, Hays, and Edgeworth, and on De Quincey's Confessions of an English Opium-Eater , Logan weaves cultural phenomena such as crowd psychology and attitudes toward opium addiction into the basic paradigm of the nervous narrative. He explains why these social critiques always tended to promote the same distempered civilization that brought them into being. He then looks at the emergence of the working-class body in the 1840s, changing medical theories, and George Eliot's treatment of medicine in Middlemarch .Logan's book is especially valuable for its rethinking of disciplinary categories that separate medicine from literature and for bringing to light lesser-known literary texts. With a foreword by Roy Porter, it will be a welcome addition to literary, gender, and cultural studies. [brief]Similar Items | 96. | | Title: The honeysuckle and the hazel tree: medieval stories of men and women Author: Terry, Patricia Ann 1929- Published: University of California Press, 1995 Subjects: Literature | Literature in Translation | European Literature | Poetry | Literary Theory and Criticism | French Studies | Medieval Studies | Gender StudiesPublisher's Description: Known for her fine translations of octosyllabic narrative verse, Patricia Terry presents translations of four major practitioners of this dominant literary form of twelfth- and thirteenth-century France. Her introduction discusses the varying views of women and love in the texts and their place in the courtly tradition.From Chrétien de Troyes Terry includes an early work, Philomena , here translated into verse for the first time. The other great writer of this period was Marie de France, the first woman in the European narrative tradition. Lanval is newly translated for this edition, which also features four of Marie's other poems. The collection further includes The Reflection by Jean Renart, known for his realistic settings; and the anonymous Chatelaine of Vergi , a fatalistic and perhaps more modern depiction of love. [brief]Similar Items | 97. | | Title: The trauma of gender: a feminist theory of the English novelAuthor: Moglen, Helene 1936- Published: University of California Press, 2001 Subjects: Literature | Gender Studies | Women's Studies | European Studies | European History | Literary Theory and Criticism | English LiteraturePublisher's Description: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts. [brief]Similar Items | 98. | | Title: Mother without child: contemporary fiction and the crisis of motherhood Author: Hansen, Elaine Tuttle 1947- Published: University of California Press, 1997 Subjects: Gender Studies | Literature | GayLesbian and Bisexual Studies | Women's Studies | American Literature | Ethnic Studies | American Studies | Literary Theory and CriticismPublisher's Description: Revealing the maternal as not a core identity but a site of profound psychic and social division, Hansen illuminates recent decades of feminist thought and explores novels by Jane Rule, Alice Walker, Louise Erdrich and Michael Dorris, Marge Piercy, Margaret Atwood, and Fay Weldon. Unlike traditional stories of abandoned children and bad mothers, these narratives refuse to sentimentalize motherhood's losses and impasses. Hansen embraces the larger cultural story of what it means to be a mother and illuminates how motherhood is being reimagined today. [brief]Similar Items | 99. | | Title: Tran sforming desire: erotic knowledge in Books III and IV of the Faerie queene Author: Silberman, Lauren Published: University of California Press, 1995 Subjects: Literature | English Literature | Literary Theory and Criticism | Men and Masculinity | Women's Studies | Poetry | Renaissance LiteraturePublisher's Description: The Faerie Queene anticipates postmodernist concerns with destabilizing language, and Lauren Silberman's stimulating study of Books III and IV of the poem proceeds from the assumption that Spenser has something important to say to us in the late twentieth century.In these books, Spenser exposes fictions of total control for what they are - fictions. The text affirms the value of risk and improvisation over the temptation to seek guarantees. The books examine the role of desire in moving us to function in an uncertain world and tempting us to foreclose that uncertainty by strategies that seek to frame knowledge through total mastery of it. [brief]Similar Items | 100. | | Title: Mexican ballads, Chicano poems: history and influence in Mexican-American social poetry Author: Limón, José Eduardo Published: University of California Press, 1992 Subjects: Literature | Literary Theory and Criticism | American Literature | American Studies | Latin American History | Folklore and MythologyPublisher's Description: Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limón shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido , or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limón's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well. [brief]Similar Items |
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